State of the craft

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    They've raised the bar on accuracy

    In a Nieman Reports article, Craig Silverman of Regret the Error quotes a 19th-century journalism manual that said it was "standard practice for reporters to invent a few details, provided the made-up facts were nonessential to the overall story." How things have changed. Today, Silverman writes, there's a higher standard: "Never before in the history of journalism — or society — have more people and organizations been engaged in fact checking and verification."

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    Eleven signs of good news about news

    Famous newspapers are going broke right and left, or at least cutting back. But in this Nieman Journalism Lab post, industry analyst Ken Doctor says there are some causes for optimism. The rising popularity of tablets is one: "People like to read news on the tablet. They read more of it, from known sources, for longer periods. If the news industry were just stable, euphoria would be in order, but since it’s not, this astounding turnaround ... has been underappreciated."

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    No longer a first draft of history

    When the Supreme Court's health care ruling was announced, it was almost a full day before the next morning's newspaper was published. Yet most papers played the day-old news as if it were fresh. Sam Kirkland, a copy desk intern at a Florida newspaper, offers a theory: "Here’s my hunch: We went through the motions because it’s how we’ve always done it — and because it makes us feel important ... But newspapers don’t write the first drafts of history any more."

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    Should reporters call out more liars?

    Robert Niles thinks so. Niles writes on the Online Journalism Review site that what ails modern journalism isn't competition so much as "a stenographic model of reporting" that doesn't serve readers: "J-school cliche says 'if your mother says she loves you, check it out.' But far too often in news reporting, 'checking it out' means simply calling up another source, and presenting their confirmation or denial of mommy's alleged love in the next grafs of the story."

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    In search of better environmental writing

    A foundation-backed effort aimed at improving environmental coverage is falling flat, Curtis Brainard writes in Columbia Journalism Review's The Observatory. At first, the Project for Improved Environmental Coverage tried to get news outlets to endorse a vision statement, but no major organizations agreed to sign on. Now, Brainard quotes project director Tyson Miller: “we’re kind of rethinking our strategy — being more advocacy focused than partnership focused.”

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    Who's to blame for bad science writing?

    Is it lazy reporters or public information officers who put out misleading press releases? The Atlantic's Rebecca Greenfield took aim at PIOs in a post on recent stories linking coffee consumption to longevity, but said competing views usually win out: "Without the borderline false headlines, we don't get the contrarian debunking part, which is when we generally learn what the research really says." A contrasting view from the STATS web site.

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    Patch editor: Online journalists are best

    Emily Henry throws down the gauntlet on the Online Journalism Review by listing 10 things that make online journalists better than their hidebound predecessors. For one thing, they write better: "SEO will not allow us to write vague headlines or use bad puns, and we only have the attention our [sic] audience for about three blinks, so we have to practice all of George Orwell’s 5 Rules for Effective Writing at once." Henry's bio identifies her as a Patch.com editor.

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    A new age for the local news business?

    In New Orleans, a famous daily newspaper just announced it won't be daily any more. But in this Nieman Journalism Lab post, Ken Doctor sees hope, as circulation replaces advertising in the income stream: "Subscribers are learning they are paying for a news product, not a physical one delivered to their driveway," he writes. "The early evidence is that smartly executed, print subscribers can be brought along, with their paid subscriptions, into the mainly digital age."

  • © iStockphoto.com/Shawn Gearhart

    Is journalism becoming obsolete?

    When was the last time you checked a newspaper to see what's playing at a movie theater, or to find out how your favorite sports team did? If you're like most Americans, it's probably been a while, Stijn Debrouwere writes. Instead you go to a web site that specializes in that subject: "Much of what they facilitate or do doesn’t look like journalism at all," Debrouwere says. "But you’d be naive if you thought their services aren’t often consumed instead of news."

  • An update on The Atavist

    One year after its launch, the long-form site's founder Evan Ratliff sits for a Q&A with Nieman Storyboard. So how much does he pay his writers? "We’ll pay the writer a fee – a typical fee is probably $5,000 – plus 50 percent of the royalties. The royalties come after the platform takes its percentage," Ratliff says. "Which means that if the story doesn’t do well, the authors end up getting paid maybe what they’d have gotten paid to write for Harper’s.