ScienceWriters meeting coverage

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Voice, story, character, structure, and authority. The elements of a great novel wouldn’t look much different (with the possible exception of authority). And the message of this afternoon's session "Great science writing part II: Building the big book" was clear: science writing, at its very best, is great literature.

Near the end of "Great science writing II: Building the big book" session, Robert Lee Hotz presented the panelists with a thought experiment. It was an update / modern cousin of the classic scenario: If your house is burning and you can grab one book from your bookshelf, what would it be?

The conflict between new media and old media or bloggers and journalists may seem like the hot topic these days, but at least one panelist this afternoon believes that such thinking is out of vogue. What is more important is talking about innovative ways to get science stories to people who don’t know it can be fun, even if that means mixing science in with news of Britney Spears, said panelist Bora Zivkovic at today’s session on “Rebooting science journalism."

Science writers aren’t just learning to write anymore; in these digital times they want to learn about Web video. Confession: I stole that lead. It’s the opening narration for a short video produced and directed by volunteers who attended the NASW workshop “Producing video, on camera and off.”

Trigger happy? You're in luck. Christie Nicholson, video producer and contributor to Scientific American, says now is the best time to get involved with online video. People’s TV and online video streaming are soon going to be one and the same, and Web video is growing at a phenomenal pace.

David Dobbs, accomplished author and moderator of the session "Rebooting Science Journalism: Adapting to the New Media Landscape," described his dismay at finally feeling like he "made it" in the freelance writing world, only to have the industry change and the magazine he worked for close.

There they are: hundreds of digits nestled in their little cells, staring back at you from within the Excel file they call home. Like a swarm of bees, the numbers assault your mind with a collective buzz signifying nothing. But there is a language to learn. You need to pull the melody out of the static, to give these pixelated numbers color, texture, flavor and symbolic meaning. You've got to visualize this data.