Sure, your editor loves you. But get your agreement in writing anyway. In this article, Anthony N. Elia, a New York attorney specializing in intellectual property, entertainment law, and commercial law, presents an introduction to contracts and negotiating them. This is the first article in a multi-part series on the basic law of book and magazine freelance contracts.
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What's a hashtag, you ask? It's a handy device that allows you to follow a particular event or topic on Twitter. Get set up with Twitter and you can follow your colleagues who are attending the AAAS conference later this week, as well as contribute to the conversation. Get commentary on former vice president Al Gore's talk as it happens, find out where the cool people are meeting for dinner, and much more. Catherine Dold shows you how.
Do you hold the rights to a book, or part of one, whether in or out of print? If so, you should know about this recent settlement. It affects your rights, and may bring you some money.
Q: When a publisher offers me a contract, I'd better sign it or I'll lose the job, right?
Q. Shouldn't publishers be able to obtain the copyright for all the articles we publish? After all, we're paying for them.
NASW Members looking for health, long-term care, vision, and dental insurance should be made aware that NASWers in NY (up to Ulster, Putnam, and Rockland County) (Oxford), CT, NJ, Greater Chicago, including part of Indiana, California, and Florida (CIGNA), can get health insurance through TEIGIT, The Entertainment Insurance Group Insurance Trust.
Where can you find story ideas? Should you send stories on spec? How should you track your time? Two veteran freelances address these and other questions.
Negotiating a contract can be the most gut-churning part of being a freelance. In this article, reprinted from Freelance Success, Jennifer Pirtle offers sound advice and personal tips for arriving at agreement without knuckling under or burning your bridges.